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. . . . . . • Organs without Bodies - Gilles Deleuze • |
The elementary coordinates of Deleuze's ontology are thus
provided by the "Schellingian" opposition between the
Virtual and and the Actual: the space of the actual (real
acts in the present, experienced reality, and subjects as
persons qua formed individuals) accompanied by its
virtual shadow (the field of proto-reality, of multiple
singularities, impersonal elements later synthetized into
our experience of reality). This is the Deleuze of
"transcendental empiricism," the Deleuze giving to Kant's
transcendental his unique twist: the proper
transcendental space is the virtual space of the multiple
singular potentialities, of "pure" impersonal singular
gestures, affects, and perceptions that are not yet the
gestures-affects-perceptions OF a pre-existing, stable,
and self-identical subject. This is why, for example,
Deleuze celebrates the art of cinema: it "liberates"
gaze, images, movements, and, ultimately, time itself
from their attribution to a given subject - when we watch
a movie, we see the flow of images from the perspective
of the "mechanical" camera, a perspective which does not
belong to any subject; through the art of montage,
movement is also abstracted/liberated from its
attribution to a given subject or object - it is an
impersonal movement which is only secondarily,
afterwards, attributed to some positive entities.
Here, however, the first crack in this edifice
appears: in a move which is far from self-evident,
Deleuze links this conceptual space to the traditional
opposition between production and representation. The
virtual field is (re)interpreted as that of generative,
productive forces, opposed to the space of
representations. Here we get all the standard topics of
the molecular multiple sites of productivity constrained
by the molar totalizing organisations, and so on and so
forth. Under the heading of the opposition between
becoming and being, Deleuze thus seems to identify these
two logics, although they are fundamentally incompatible (one is tempted to attribute the "bad" influence which
pushed him towards the second logic to Felix Guattari). [1]
The proper site of production is NOT the virtual space as
such, but, rather, the very passage from it to
constituted reality, the collapse of the multitude and
its oscillations into one reality - production is
fundamentaly a limitation of the open space of
virtualities, the determination/negation of the virtual
multitude (this is how Deleuze reads Spinoza's omni
determinatio est negatio against Hegel).
The line of Deleuze proper is that of the great
early monographs (the key ones being Difference and
Repetition and The Logic of Sense) as well as some of the
shorter introductory writings (like Proust and Signs and
the Introduction to Sacher-Masoch) . In his late work, it
is the two cinema books which mark the return to the
topics of The Logic of Sense. This series is to be
distinguished from the books Deleuze and Guattari co-wrote, and one can only regret that the Anglo-Saxon
reception of Deleuze (and, also, the politicial impact of
Deleuze) is predominantly that of a "guattarized"
Deleuze. It is crucial to note that NOT A SINGLE ONE of
Deleuze's own texts is in any way directly political;
Deleuze "in himself" is a highly elitist author,
indifferent towards politics. The only serious
philosophical question is thus: what inherent impasse
caused Deleuze to turn towards Guattari? Is Anti-Oedipus,
arguably Deleuze's worst book, not the result of escaping
the full confrontation of a deadlock via a simplified
"flat" solution, homologous to Schelling escaping the
deadlock of his Weltalter project via his shift to the
duality of "positive" and "negative" philosophy, or
Habermas escaping the deadlock of the "dialectic of
Enlightenment" via his shift to the duality of
instrumental and communicational reason? Our task is to
confront again this deadlock. Was, therefore, Deleuze not
pushed towards Guattari because Guattari presented an
alibi, an easy escape from the deadlock of his previous
positon? Does Deleuze's conceptual edifice not rely on
TWO logics, on TWO conceptual oppositions, which coexist
in his work? This insight seems so obvious, stating it
seems so close to what the French call a lapalissade,
that one is surprised how it has not yet been generally
perceived:
(1) on the one hand, the logic of sense, of the immaterial becoming as the sense-event, as the EFFECT of bodily-material processes-causes, the logic of the radical gap between generative process and its immaterial sense-effect: "multiplicities, being incorporeal effects of material causes, are impassible or causally sterile entities. The time of a pure becoming, always already passed and eternally yet to come, forms the temporal dimension of this impassibility or sterility of multiplicities." [2] And is cinema not the ultimate case of the sterile flow of surface becoming? The cinema image is inherently sterile and impassive, the pure effect of corporeal causes, although nonetheless acquiring its pseudo- autonomy.
(2) on the other hand, the logic of becoming as PRODUCTION of Beings: "the emergence of metric or extensive properties should be treated as a single process in which a continuous virtual spacetime progressively differentiates itself into actual discontinuous spatio-temporal structures." [3]
Say, in his analyses of films and literature, Deleuze
emphasizes the de-substantialization of affects: in a
work of art, an affect (boredom, for instance) is no
longer attributable to actual persons, but becomes a
free-floating event. How, then, does this impersonal
intensity of an affect-event relate to bodies or persons?
Here we encounter the same ambiguity: either this
immaterial affect is generated by interacting bodies as a
sterile surface of pure Becoming, or it is part of the
virtual intensities out of which bodies emerge through
actualization (the passage from Becoming to Being).
And, is this opposition not, yet again, that of
materialism versus idealism? In Deleuze, this means: The
Logic of Sense versus Anti-Oedipus. EITHER the Sense-
Event, the flow of pure Becoming, is the immaterial
effect (neutral, neither active nor passive) of the
intrication of bodily-material causes, OR the positive
bodily entities are themselves the product of the pure
flow of Becoming. Either the infinite field of virtuality
is an immaterial effect of the interacting bodies, or
bodies themselves emerge, actualize themselves, from this
field of virtuality. In The Logic of Sense, Deleuze
himself develops this opposition in the guise of two
possible modes of the genesis of reality: the formal
genesis (the emergence of reality out of the immanence of
impersonal consciousness as the pure flow of Becoming) is supplemented by the real genesis, the latter accounting
for the emergence of the immaterial event-surface itself
out of bodily interaction. Sometimes, when he follows the
first path, Deleuze comes dangerously close to
"empiriocriticist" formulas: the primordial fact is the
pure flow of experience, attributable to no subject,
neither subjective nor objective - subject and object
are, as all fixed entities, just secondary "coagulations"
of this flow. This is the standard description of the
basic philosophical position of Bogdanov, the main
representative of Russian "empiriocriticism," best known
as the target of Lenin's critique in his Materialism and
Emplrlocrltlcism from 1908:
If /.../ we assume that the ultimate elements of experience are sensations, it is obvious that what we ordinarily think of as the world of experience would not have arisen without a process of organization. /.../ what we regard as the material world, nature, the common world, is the product of collectively organized experience, having a social basis. That is to say, the common world as experienced has been progressively formed in the course of human history out of the raw material of sensation. /.../ in addition to the world which is basically the same for all, there are, so to speak, private worlds. That is to say, in addition to collectively organized experience there is organization in the form of ideas or concepts which differ from person to person or from group to group. There are different points of view, different theories, different ideologies. [4]
Bogdanov emphasized that the flow of sensations precedes
the subject: it is not a subjective flow, but neutral
with regard to the opposition between subject and
objective reality - they both emerge out of this flow
(i.e., "empiriomonism," one of the self-designations of
the empiriocriticists - is this term not also an adequate
designation of Deleuze's "transcendental empiricism?"...
not to mention Bogdanov's "mechanism," his "machinic"
notion of development...). Lacan versus Deleuze: again,
dialectical materialism versus empriocriticism? Deleuze -
a new Bogdanov? In a proto-Deleuzian way, Bogdanov
accused the defenders of Matter as an objectively
existing Thing-in-itself to commit the cardinal
metaphysical sin of explaining the known in terms of the
unknown, the experienced in terms of the non-experienced
- exactly like Deleuze's rejection of any form of transcendence. Furthermore, Bogdanov was also a radical
Leftist, keen on machinic experiments: his basic attitude
was precisely that of uniting the "vitalism" of the flow
of sensations with the machinic comblnatolre. Although
Bogdanov supported the Bolsheviks against reformist
opportunism, his political stance was one of the radical
Leftist striving for organizations which form themselves
"from below," and are not imposed from above by some
central authority. [5]
When, in The Logic of Sense, Deleuze deploys the two
geneses, transcendental and real, does he not thereby
follow in the steps of Fichte and Schelling? Fichte's
starting point is that one can practice philosophy in two
basic ways, idealist and Spinozean: one either starts from
objective reality and tries to develop from it the
genesis of free subjectivity, or one starts from the pure
spontaneity of the absolute Subject and tries to develop
the entirety of reality as the result of the Subject's
self-positing. The early Schelling of the System of
Transcendental Idealism goes a step further by claiming
that, in this alternative, we are not dealing with a
choice: the two options are complementary, not exclusive.
Absolute idealism, its claim of the identity of Subject
and Object (Spirit and Nature), can be demonstrated in
two ways: one either develops Nature out of Spirit
(transcendental idealism, a la Kant and Fichte), or one
develops the gradual emergence of Spirit out of the
immanent movement of Nature (Schelling's own
Naturphllosophle). However, what about the crucial new
advance achieved by Schelling in his Weltalter fragments,
where he introduces a THIRD term into this alternative,
namely, that of the genesis of Spirit (logos) not out of
nature as such - as a constituted realm of natural
reality - but out of the nature of/in God himself as that
which is "in God himself not yet God," the abyss of the
pre-ontological Real in God, the blind rotary movement of "irrational" passions? As Schelling makes clear, this
realm is not yet ontological, but, in a sense, more
"spiritual" than natural reality: a shadowy realm of
obscene ghosts which return again and again as "living
dead" because they FAILED to actualize themselves in full
reality. [6] To risk an anachronistic parallel, is this
genesis, the pre-history of what went on in God before he
fully became God (the divine logos), not effectively
close to the quantum physics notion of the state of
virtual quantum oscillation preceding constituted
reality?
And, effectively, what about the results of quantum
physics? What if matter IS just a reified wave
oscillation? What if, instead of conceiving waves as
oscillations between elements, elements are just knots,
contact points, between different waves and their
oscillations? Does this not give some kind of scientific
credibility to Deleuze's "idealist" project of generating
bodily reality from virtual intensities? There is a way
to conceptualize the emergence of Something out of
Nothing in a materialist way: when we succeed in
conceiving this emergence not as a mysterious excess, but
as a RELEASE - a LOSS - of energy. Does the so-called
"Higgs field" in contemporary physics not point precisely
in this direction? Generally, when we take something away
from a given system, we lower its energy. However, the
hypothesis is that there is some substance, a
"something," that we cannot take away from a given system
without RAISING that system's energy: when the "Higgs
field" appears in an empty space, its energy is lowered further. [7] Does the biological insight that living systems
are perhaps best characterized as systems that
dynamically avoid attractors (i.e., that the processes of
life are being maintained at or near phase transitions)
not point in the same direction, which is towards the
Freudian death drive in its radical opposition to any
notion of the tendency of all life towards nirvana? Death
drive means precisely that the most radical tendency of a
living organism is to maintain a state of tension, to
avoid final "relaxation" in obtaining a state of full
homeostasis. "Death drive" as »beyond the pleasure
principle« is this very insistence of an organism on
endlessly repeating the state of tension.
One should thus get rid of the fear that, once we
ascertain that reality is the infinitely divisible,
substanceless void within a void, "matter will
disappear." What the digital informational revolution,
the biogenetic revolution, and the quantum revolution in
physics all share is that they mark the reemergence of
what, for want of a better term, one is tempted to call a
post-metaphysical idealism. It is as if Chesterton's
insight into how the materialist struggle for the full
assertion of reality, against its subordination to any
"higher" metaphysical order, culminates in the loss of
reality itself: what began as the assertion of material
reality ended up as the realm of pure formulas of quantum
physics. Is, however, this really a form of idealism?
Since the radical materialist stance asserts that there
is no World, that the World in its Whole is Nothing,
materialism has nothing to do with the presence of damp,
dense matter - its proper figures are, rather,
constellations in which matter seems to "disappear," like
the pure oscillations of the superstrings or quantum-
vibrations. On the contrary, if we see in raw, inert
matter more than an imaginary screen, we always secretly
endorse some kind of spiritualism, as in Tarkovsky's
Solaris, in which the dense plastic matter of the planet
directly embodies Mind. This "spectral materialism" has
three different forms: in the informational revolution,
matter is reduced to the medium of purely digitalized
information; in biogenetics, the biological body is
reduced to the medium of the reproduction of the genetic
code; in quantum physics, reality itself, the density of
matter, is reduced to the collapse of the virtuality of
wave oscillations (or, in the general theory of
relativity, matter is reduced to an effect of space's
curvature). Here we encounter ANOTHER crucial aspect of
the opposition idealism/materialism: materialism is not
the assertion of inert material density in its humid
heaviness - SUCH a "materialism" can always serve as a
support for gnostic spiritualist obscurantism. In
contrast to it, a true materialism joyously assummes the
"disappearance of matter," the fact that there is only
void.
With biogenetics, the Nietzschean program of the
emphatic and ecstatic assertion of the body is thus over.
Far from serving as the ultimate reference, the body
loses its mysterious impenetrable density and turns into
something technologically manageable, something we can
generate and transform through intervening into its
genetic formula - in short, something the "truth" of
which is this abstract genetic formula. And, it is
crucial to conceive the two apparently opposite
"reductions" discernible in today's science (the "materialist" reduction of our experience to neuronal
processes in neurosciences, and the virtualization of
reality itself in quantum physics) as two sides of the
same coin, as two reductions to the same third level. The
old Popperian idea of the "Third World" is here brought
to its extreme: what we get at the end is neither the
"objective" materiality nor the "subjective" experience,
but the reduction of BOTH to the scientific Real of
mathematized "immaterial" processes.
The issue of materialism versus idealism thus gets
more complex. If we accept the claim of quantum physics
that the reality we experience as constituted emerges out
of a preceding field of virtual intensities which are, in
a way, "immaterial" (quantum oscillations), then embodied
reality is the result of the "actualization" of pure
event-like virtualities. What if, then, there is a double
movement here?: first, positive reality itself is
constituted through the actualization of the virtual
field of "immaterial" potentialities; then, in a second
move, the emergence of thought and sense signals the
moment when the constituted reality, as it were,
reconnects with its virtual genesis. Was Schelling not
already pursuing something similar when he claimed that,
in the explosion of consciousness, of human thought, the
primordial abyss of pure potentiality explodes, acquires
existence, in the middle of created positive reality -
man is the unique creature which is directly
(re)connected with the primordial abyss out of which all
things emerged? [8] Perhaps Roger Penrose is right: there is
a link between quantum oscillations and human thought. [9]
NOTES
[1] I follow here Alain Badiou, on whose reading of Deleuze
I rely extensively; Badiou, Deleuze: The Clamour of
Being, Minneapolis: University of Minnesota Press 2000.
[2] Manuel DeLanda, Intensive Science and Virtual
Philosophy, New York: Continuum 2002, p. 107-108.
[3] Manuel DeLanda, op.cit., p. 102.
[4] Frederick Copleston, Philosophy In Russia, Notre Dame:
University of Notre Dame Press 1986, p. 286.
[5] It is easy to ridicule Lenin's Materialism and
Emplriocrltlcism, its utter philosophical worthlessness,
yet the book's "political instinct" for the class
struggle in theory is unerring and 100% right. We all
recall Lenin's remarks on the edge of Hegel's Logic,
apropos of Hegel's statements such as "the immanent
deployment of the concrete wealth of the universal as the
self-development of the eternal divine Idea," in the
style of "the first line profound and true, the second
line theological rubbish!" - one is tempted to jot a
similar remark on the edge of Materialism and
Emplriocrltlcism: "the deployment of the political
overdetermination of philosophy - profound and true, the
inherent philosophical value of the book - rubbish!"
[6] F.W.J. Schelling, The Ages of the World, Albany:
SUNY Press 2000.
[7] For a more detailed reference to "Higgs field," Chapter 3 of my The Puppet and the Dwarf,
Cambridge. MIT Press 2003. For a popular scientific
explanation, Gordon Kane, 5upersymmetry, Cambridge: Helix Books 2001.
[8] F.W.J. Schelling, op.cit.
[9] Roger Penrose, Shadows of the Mind, Oxford: Oxford.
University Press 1994.
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