| Caldicott, Richard
1962 Born in Leicester, England Lives and works in London 198892 Royal College of Art, Research Fellow 198487 Royal College of Art, MA 198184 Middlesex Polytechnic, BA 198081 Loughborough College of Art & Design Solo Exhibitions 2004 Hamiltons, London (catalogue) Ariel Mayerowitz Gallery, New York 2002 Hamiltons, London (catalogue) Ariel Meyerowitz Gallery, New York 2000 Finesilver Gallery, San Antonio, Texas Hamiltons, London Camera Work, Berlin 1999 Hamiltons, London Succession, London 1998 Dorothée De Pauw Gallery, Brussels 1997 On the Entity of Objects/Vom Dasein der Gegenstände (with Christopher Muller), Kunstmuseum Bonn (catalogue) Selected Group Exhibitions 2004 The Photography show, AIPAD/Ariel Mayerowitz Gallery, New York Optic Nerve, Photofusion Gallery, London 2003 Optic Nerve-Abstract Colour Photography, Wolsey Art Gallery, Ipswitch UK 2002 Abstract Photography, Hunterdon Museum of Art, New Jersey, New York Supercellular, Galerie Valerie Cueto, Paris 2001 Paris Photo ’01, Hamiltons Fresh, Jane Jackson Fine Art, Atlanta, Georgia Art Brussels 2001, Hamiltons / Dorothée De Pauw Gallery Art Chicago 2001, Finesilver Gallery 2000 Art Basel 31. Hamiltons Art Brussels 2000, Hamiltons / Dorothée De Pauw Gallery ART2000, 12th London Contemporary Art Fair. Houldsworth Fine Art The Photography Show, AIPAD/Hamiltons, New York 1999 Still, Houldsworth Fine Art, London Vintage Show, Hamiltons, London Art Brussels ’99. Dorothée De Pauw Gallery/Hamiltons (catalogue) Art Basel 30. Hamiltons (catalogue) Silent Presence: Contemporary Still-Life Photography, Staatliche Kunsthalle Baden-Baden Travelling to Kunstverein Bielefeld, March-April 2000 (catalogue) FIAC, Paris. Hamiltons/Dorothée De Pauw Gallery (catalogue) Paris Photo ’99, Hamiltons The Photography Show, AIPAD/Hamiltons, New York 1998 Art Brussels ’98, Hamiltons, (catalogue) Out of Frame, curated by Paul Hedge, Hamiltons, London Under/Exposed, XpoSeptember Stockholm Fotofestival, (catalogue) The Discerning Eye, Mall Galleries, London Paris Photo ’98. Hamiltons (catalogue) 1997 Ordinaire/Ordinary, Miller et Bertaux, Paris Art Frankfurt, Almut Gerber Gallery, Köln 1996 A Glass of Water, Chelsea Arts Center, New York The Art Exchange, Kagan Martos Gallery, 60 Broad St, New York 1995 Caldicott, Clegg & Guttmann, Gussin, McDonough, Muller, Smith, Räume für neue Kunst- Rolf Hengesbach, Wuppertal Art Basel 26. Räume für neue Kunst- Rolf Hengesbach Art Köln. Räume für neue Kunst- Rolf Hengesbach 1994 Gol!, Mark Boote Gallery, New York Close Encounters, Ikon Gallery, Birmingham Foto 1, curated by Christian Anstice, 152c Brick Lane, London 1993 Xenografia Nomadic Wall, (Video Installation Project) curated by Umberto Scrocca, 45th Venice Biennale 1992 Seventeen, British and American Artists, Greenwich St, New York (catalogue) Love at First Sight, curated by Graham Gussin, The Showroom, London In and Out, Back and Forth, 578 Broadway, New York (catalogue) How Noisy Everything Grows, curated by Marigold, Royal College of Art, London (catalogue) 7th Australian International Video Festival (catalogue) 15th Tokyo Video Festival 1991 Five British Artists / Fünf Britische Künstler, curated by Christa Gather,Thomas Backhaus Galerie, Düsseldorf (catalogue) 1990 From a Position of Safety, Citicorp, London Harvest Beige, Citicorp, London Original Copies, Royal College of Art, London.Travelled: National Museum of Modern Art, Kyoto. Axis Gallery, Tokyo,Century Plaza, Nagoya (catalogue) 1988 Project Title, Chrome Factory, London 1985 Whitworth Young Contemporaries, Whitworth Art Gallery, Manchester 1984 Stowells Trophy, The Royal Academy, London (catalogue) New Contemporaries, ICA, London (catalogue) 1983 Stowells Trophy, The Royal Academy, London (catalogue) Awards 1991 Grants to Artists, British Council 1986 Cité International des Arts, RCA Paris Studio Award Collections Art Lab, Tokyo BP Amoco, London Dorothée De Pauw, Brussels Electronic Media Arts, Glebe, Australia Goldman Sachs International, London Karl Blossfeldt /Albert Renger-Patzch, Archiv Ann und Jürgen Wilde, Köln Kunstmuseum Bonn Leon Constantiner, New York Merrill Lynch International Bank, London Miller et Bertaux, Paris Museo of Electrographie, Cuenca, Spain Peter Svennilson, Stockholm Richard James, London Simon and Yasmin Le Bon, London Sir Elton John, London Tara Bernerd, London Commissions BP Amoco, London Bibliography Abrahams, Charlotte. No Hang ups, The Guardian Weekend, 10.3.01, p.4142 Aletti, Vince. Richard Caldicott, Ariel Meyerowitz Gallery, The Village Voice, January 22, 2002, Vol. XLVII, No. 3 Althoff, Bernhard. Verwirrspiel mit den Dingen des Alltags, BonnRundschau, 17.1.97 Bauermeister, Volker. Wo sich Dinge zum Reim zusammenfinden, Badische Zeitung, 16.9.99 Bell, Jonathan. Rose-Tinted Receptacles, Wallpaper, September 1999, p.1534 Bishop, Louise. Plastic Fantastic, Creative Review, May 1999, p.4849 Boecker, Susanne. Kühne Verwirrspiele mit einfachen Dingen, Kölner Stadt-Anzeiger, 18.2.97 Bosetti, Annette. Die Stilleben von heute, Aachener Nachrichten, 20.1.97 Braxmaier, Rainer Mitarbeiter Von. Eine Kleine Auswahl aus verschiedensten Sparten, Badisches Tagblatt, 14.9.99 Brehm, Margrit. Stop Making Sense, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 199 9 Brown, Neil. Still, Houldsworth Fine Art, London. Independent on Sunday, 30.1.2000 Dannatt, Adrian. But if you try sometime you might just find, Exh.Cat. In and Out, Back and Forth, 578 Broadway NYC Dannatt, Adrian. Soccer sideline, The Daily Telegraph, 2.2.94 Dannatt, Adrian. Richard Caldicott-On a Series of Solid Physical Articles in the Shape of Ten Ordinary White Pages Marked by Black Print Text, Exh. Cat. Kunstmuseum Bonn, 1997 Denk, Andreas. Vom geheimnisvollen Leben der Yuccapalme, General-Anzeiger, 22.1.97 Dent, Nick. Kitchen Sink, Not Only black+white, No.39 October 1999, p.14 Durden, Mark. Close Encounters, Creative camera, Dec. 1994, p.43 Dykstra, Jean. About the Cover, Photography in New York International, January/February 2002, cover image and p.4 Feeser, Mitarbeiter in Sigrid. Erlesen Abgehoben, Baden-Baden: Stilleben der Gegenwarts-Fotografie, Rheinpfalz, 24.9.99 Fiedler,Tanja. Tupper lebt, Berliner Morgenpost, 18.9.2000 Fischer, Joseph. Die Kunst der Stille, Kunst & Kultur, 9.99 Frieze, cover image (‘paper bag’ 1992), issue 6, September-October 1992 Gernsbeck, Karl. Kompositionen und zufällige “Schüsse”, Badisches Tagblatt, 13.9.99 Gronert, Stefan. On the Entity of Objects, The Context of the Works of Richard Caldicott and Christopher Muller, Exh. Cat. Kunstmuseum Bonn, 1997 Kemmerer, Michael. Lautlose Gegenwart, Fotografische Stillleben in dr Baden-Badener Kunsthalle, Rheim-Maim Echo,15.10.1999 Kilb, Andreas. Hausgötter sehen dich an, Frankfurter Allgemeine Zeitung, 20.9.2000, Nr. 219 Könches, Barbara. Fokussierte Stillleben, Die “Lautlose Gegenwart”, BNN, 13.9.1999 Kopp, Siegbert. Eine Schule des Sehens “Lautlose Gegenwart”: Fotografierte Stillleben in Baden-Baden, Sudkurier, 3.11.1999 Lacanian ink 14, cover image (‘butter, 1997’), Spring 1999 Lillington, David. Foto 1, Time Out, No.1226 February 1994, p.39 Lebeck, Josef. Kunsthalle Baden-Baden: Lautlose Gegenwart, Klappe, 10.99 McKay, Ian. Original Copies, Art Monthly, December 1991, p.24 Miyake, Yuki. From London, Designers Workshop, 1X, No.58, December 1992, p.111 Muller, Franz. Ein altes Thema in neuem Licht, Badisches Tagblatt, 27.8.99 Mueller, Jessica. La Soupe de Daguerre, Exh.Cat. Staatliche Kunsthalle Baden-Baden, 1999 Nab, Beate. Die Schönheit der banalen Dinge, Westfalischer Anziger Hamm, 28.3.2000 Pesch, Martin. Um die Ecke Wartet die Op-art und grist, Taz, 19.2.97 Pfab, Rupert. Irritierende Wechselspiele: Zur Ausstellung “Vom Dasein Der Gegenstände”, Eikon 21/22, p.85, 1997 Pinsent, Richard. The sensory eloquence of still-life photography, The Art Newspaper, No.92, May 1999, p.66 Pramann, Willi. Kunstverein: Stillleban in der zeitgenössischen Fotografie Tod behauptet seine Gegenwart, Westfalen-Dlatt . 4./5. 3 2000 Romano, Gianni. Richard Caldicott, Zoom, May/June 1993, p.46-49 Rothman, Sabine. Fantastic Plastic, House & Garden(USA), October 2000, p.108 Seaward, Ellie. The Perfect Portfolio, Image No: 303, Association of Photographers, December 2000, p.4,5 Strecker, Manfred. Lautlose Gegenwart Bielefelds Kunstverein zeigt Stllleben zeitgenössischer Fotografie, Neue Westfälische, NR.54. Samstag.4.Marz.2000 T, l. Perfekte Ästhetisierung: Promis und Tupperware schöner fotografiert als sie sind, Mäilaichn Oderzeitung, 26.9.2000 Zoo, Issue 3, October 1999 |
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