Angels or devils, this is the kind of nonsense from where psychoanalysis begins as it enters the path to the new subject which is the subject of the unconscious:
The psychoanalytic discourse was engendered in democratic times, but the framework of democracy does not resolve its own social collective problems:
Total withdrawal of libido draining the social invests the ego. "The body politic and the body ego break up, modern man becomes lost in the crowd."3
The subject seeks the maximum of pleasure and the minimum of pain, thus utilitarianism gets to govern, control the external conditions which influence decisions.
Can the criminal be defeated by the detective?
Raphael Rubinstein finds a metaphoric answer to the
personalized question. But still, is Dupin prevailing in a democratic context?
Adrian Dannatt has found a petit objet b entangled between the Masquerade and the Gaze. We'll have to believe him.
Peggy Phelan plays out the actual Melodrama to the lens of the camera: she discovers an extra "s," a joke, a ghost, a skull. Might one conclude that the excursion into the painting, while a parody
of psychoanalysis, "storms doors," loss at the threshold: art, power, passion, knowledge, should unite man in time to set him free of the crowd.
Jean-Guy Godin sets up the infrastructure of obsession through an actual case.
The analyst (a detective?) discloses the mis-en-scène of a quadruple crime: the patient's "wild crossing" of the fantasme
is prompted by the idea of the murders of his fiancée, his sister... moreover at this point he has already eaten the mother, "...this murder of the woman echoes the murder of the Thing, of the mother as thing... " The fourth nominee is himself "...the woman that he is as well?"4
The body politic may echo its subjects.
"The solution is not found in the reunion of mind and body, but in the defeat of the criminal mind by the mind of the detective."5
JOSEFINA AYERZA
Notes
1. Slavoj Zizek, "Hegel's Logic as a Theory of Ideology," lacanian ink 7, p.29. back up
2. Jacques Lacan, Seminar XX: Encore, Seuil, Paris, 1975, p.24. back up
3. Joan Copjec, "The Subject Defined by Suffrage," lacanian ink 7, p.48. back up
4. Jean-Guy Godin, "Obsessions," lacanian ink 7, p.73. back up
5. Stuart Schneiderman, The Worst Perversion, lacanian ink 7, p.23. back up