Author’s Bio
This film presents, as does every film, visible two-dimensional images and audible successions—voices, music, and sounds. These are the evident materials of the film’s composition.
Now, I would like to examine a slightly different idea: an idea that proposes this film as a four-dimensional universe. As an object, insofar as you see it and [...]
Author’s Bio
My departure point will be Andre Breton’s text, in 1922, consecrated to Duchamp in the fifth issue of the review Littérature. In this text, Breton writes: “Could it be that Marcel Duchamp arrives more quickly than anyone else at the critical point of ideas?” That says everything in a sense.
Synthetically, Breton attributes to Duchamp, [...]
I might be crazy triying to get you here with me. Why don’t you come here with me?
Vito Acconci(dirigiéndose al espectador), Theme song (video)
You must stand in front of the Mona Lisa or else. You can’t fall in love with her reproduction, no, no, no – that’s masturbation.
Douglas Davis
La filosofía contemporánea estableció una cuestión ética [...]
