
Gala, Carlos, Caty Monnier, Dalí Estate
ALEX KAYSER INTERVIEWS GALA
Gala – You have more hair then today. And straight, no curls
Alex – No, it’s a bit curly. It’s always curly, but the wind makes it straight. A lot of wind.
G – It’s the wind in the house.
A – Yes. It comes in. I was running and so there was wind. I was running through.
G – Hmm
A – *Referring to photograph* It’s roulette. A restaurant. These people, they brought me up here to play roulette, operative roulette.
G – You play?
A – Yes.
G – And you lost?
A – No, I won. I won an operative martini.
G – So that you win.
A – It’s a very nice restaurant in Milano.
G – And that’s what this is.
A – It looks like a stage to a puppet theater, but what it really is I don’t know. I don’t speak Italian.
G – it’s a restaurant?
A – Yess, the restaurant is downstairs.
G – So the people eat and play at the same time?
A – No they eat downstairs, but the operative is up there.
G – And that’s what is there?
A – Yes, you throw the arrows.
G – *reading something in Italian*
G – What is that you read?
A – I don’t really know. Other people translate it for me. I understand it and then I forget it again.
G – Kingbees, and what means it? Zak and Kingbees. Zak is you?
A – It could be. Zak is a dog.
G – What?
A – Zak is the dog.
G – Ahh. Kingbee is you?
A – Kingbee could be me. Zak and Kingbee is me and the people I’m working with. It’s like a group. And I leave my name away.


Ron, Kitaj, Dalí Estate
Gypsy Girls, Dalí Estate
G – And what do you do?
A – I make video films and pictures like this.
G – You’re a photographer.
A – And performance. Performance also.
G – But, what kind of performance? You sing?
A – Yes and I run. And for example I did a song. A rock n’ roll song.
G – Rock n’ roll?
A – Yes, and a Kingbee. That means there are no Kingbees, only queens. Female.
G – You’re a queen? Queen is woman but you are a man.
A – I am man, yeah. That’s why I’m a Kingbee
G – That’s right you’re a king, not queen.
A – In in nature it does not exist. Only bees. Bees are females, the queens.
G – “Bee” is?
A – Bzzzzz, honey.
G – That’s right. Honey.
G – *speaking in Spanish*
G – I understood. Queen of the…
A – Of the bees.
G – Bees. So you are queen of the bees?
A – In a way.
G – A little suspicious, huh? That is Milano, no?
A – Yes. Right.
1. — Salvador Dalí, artist portrait 2. — 'waiting for zak', Bob Venosa with wife, kid and Alex, Cadaqués 3. — 'zak & kingbee' in Cadaqués 4. — 'zak & kingbee' Milano roulette 5. — 'zak & kingbee' dog show Paris 6. — 'zak & kingbee' Nizza run with Bill Wyman & André Verdet
G – *Referring to photograph* In this it is winter time, no? Is there snow here?
A – No, no it’s a reflection. It’s wet. It has been raining. So it’s wet. The ground is wet.
G – No, that’s…
A – It’s a reflection. The sky is reflecting in the street.
G – Hmm…
G – Why is no reflection and why is reflection here?
A – Well it does reflect a little bit. You see…
G – That is wool…or is snow?
A – It looks like snow. But it’s a reflection of the sky in the street because the street is wet.
G – It cannot be so white.
A – Maybe I tricked it in the dark room. Maybe I wanted you to think it’s snow.
G – Ahh, good good good.
G – They do the photo any way. It’s not so precise.
A – Yeah, it is painted but it is very rough. It’s not the colors I want, in the negative.
G – It’s painted?
A – Yes. It’s photographed black and white and the color is painted on.
G – Ahh, then it’s overpaint?
A – Overpaint.
G – You color it then?
A – …
G – But nobody does the photo of somebody…everybody do any way?
A – Yes.
G –And it’s you who did it, this composition?
A – Yes.
G – You do photos…do photo here..and photo here…and photo here…and photo here…
G – And this, what is that?
A – Well, I’m curious what it is. I don’t know.
G – Oh you don’t know?
A – No, it is one of the miracles…
G – Ah you know what it is?
Girlfriend – I have no idea. I wondered all the time.
G – *indistinct talking*
A – It looks like a tree.
G – Tree? No no. This is like, we have here…it’s not. It’s done with these circles, see? But not in this matter. *indistinct talking*
G – And this fabric?
A – Yeah, maybe it belongs to me you know?
G – Oh yes?
A – Since I photographed it, it does.
G – No. The photograph, that belongs to you. But fabric belong to you, or no?
A – No, not yet. I like this fabric. This is my fabric. This fabric, this like that.
G – this fabric here?
A – Yes.
1. — Roland Topor, artist portrait 2. — Dieter Roth, artist portrait b&w reproduction 3. — Richard Hamilton, artist portrait b&w reproduction 4. — Francis Bacon, artist portrait b&w reproduction
G – the other I would like to have also. Why not? So you work and then you receive the money. That’s all.
G – *referring to photo* That is you, yes?
A – Yes.
G – With the long hair.
G – *referring to photo* That is Dalí?
A – Yes.
Girlfriend – Its near the swimming pool. Where the swimming pool is.
G – Here. Ah swimming pool. oh yes yes yes. Here. Yes yes yes
girlfriend – and those two girls are the gypsy girls.
G – Oh yes. Oh yes. Dali told me.
G – And that’s you?
A – No. A German boy.
G – That is a girl, yeah?
Girlfriend – It’s a boy. It’s a boy.
G – That is a boy?
G – But he has too much…
Girlfriend – It’s very colored.
G – Hmmm.
G – So you’re a photographer?
A – Also.
G – Huh?
A – Also. I am also a photographer.
G – But what are you first?
A – Well, everything. I used to be a photographer, straight. But now I like more actor…
G – You’re a painter?
A – Yes.
G – You’re a writer?
A – Not a writer. Not with words.
G – You’re a poet?
A – Well, I do narrative work where I write underneath the photograph.
G – No, poet. Do you know what?
A – Yes. I don’t write poetry.
G – That is not enough to be a poet.
A – Well, this is not a poetic piece. Let’s say it that way.
G – No, but that’s…*indistinct words*
G – You choose the model?
A – Yes. It’s an English model.
A – Do you know Frances Burgen?
G – Burgen. Yes.
G – And that’s Beckley. Bill Beckley. It’s you?


'zak race' Cadaques, sequence #1
'zak race' Cadaques, sequence #2
A – It’s Bill Beckley in New York. Young artist.
G – Who?
A – He’s an artist.
G – Yes, but what does he do?
A – He does narrative work. He works with photography.
G – Yes, then he’s a photographer.
A – Why do you want to call it?
G – *laughs* No, artist is a general name. You can be painter, you can sing, you can draw.
A – So is Dali a painter or an artist?
G – How you know him? He’s painter or not?
A – He’s painter. But he’s also an artist.
G – I suppose, I think, I think. I don’t know.
A – Are the photographers, are they artists, or not?
G – *indistinct talking*
A – So the photographers are not artists?
G – I don’t tell nothing. I have my mouth closed. I don’t answer you because if I tell you the truth, you will be immediately revolted.
A – No.
G – I already recognize your character…you might be..etc, etc…you are very volatile.
G – Then it’s better not to touch.
Girlfriend – it’s good to touch, it doesn’t matter.
G – Typical for the artist? For whom, typical?
Girlfriend – Typical for the artist.
G – For the artist? No, then he’s not volatile.
Girlfriend – No? Well…
G – *referring to photograph* Very simple. Very amber.
G – That is you?
A – Yes.
G – You see, I don’t recognize. But you…
A – I have a hat. That’s why I look different.
G – The hair should go out, but you put inside.
A – Yes, yeah.
G – That is to make this photo like art.
A – Yes, oh you’re very…so clever.
G – First, it’s not necessary to be very intelligent. Even a little intelligent to know what you are. That’s not what you are. I see you…*indistinct words*…I discover immediately that you are very volatile.
G – *giddy laughter*

'zak race' Cadaqués, sequence #3, Carlos, Bob Venosa and entourage
All photographs by Alex Kayser
Courtesy of Alex Kayser Foundation
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