{"id":488,"date":"2019-10-31T20:55:48","date_gmt":"2019-10-31T20:55:48","guid":{"rendered":"http:\/\/www.lacan.com\/symptom\/?page_id=488"},"modified":"2024-05-22T15:14:09","modified_gmt":"2024-05-22T15:14:09","slug":"sarah-lucas","status":"publish","type":"page","link":"https:\/\/www.lacan.com\/symptom\/sarah-lucas\/","title":{"rendered":"Sarah Lucas’s Self-Portraits"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”815″ alignment=”center” onclick=”custom_link” link=”https:\/\/www.lacan.com\/lacan1.htm”][vc_single_image image=”440″ img_size=”full” onclick=”custom_link” link=”http:\/\/www.lacan.com\/symptom”][vc_empty_space][vc_custom_heading text=”Sarah Lucas’s Self-Portraits
\nby Josefina Ayerza” font_container=”tag:h2|text_align:center|color:%2311004f” google_fonts=”font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal”][vc_single_image image=”490″ img_size=”full” alignment=”center”][vc_custom_heading text=”Sarah Lucas, Human Toilet Revisited<\/em>” font_container=”tag:h6|text_align:center|color:%2311004f” google_fonts=”font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal”][vc_column_text]Sarah Lucas is<\/b>\u00a0known for her confrontational <\/b>self-<\/b>portraits<\/b>, such as Human Toilet Revisited,1998, a colour photograph in which she sits on a toilet smoking a cigarette. In her solo exhibition The Fag Show London, 2000, she explored her obsession with cigarettes as a material for art, suggesting the connection between smoking and sexually obsessive activity. Self-portrait with Cigarettes, 2000, makes a connection between the obsessional, introverted activities of smoking and drawing.<\/b><\/span><\/h4>\n

Sarah Lucas opened an exhibition in the fall of 2019 at Red Brick Art Museum<\/a> in Bejing.<\/span><\/h4>\n

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[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”815″ alignment=”center” onclick=”custom_link” link=”https:\/\/www.lacan.com\/lacan1.htm”][vc_single_image image=”440″ img_size=”full” onclick=”custom_link” link=”http:\/\/www.lacan.com\/symptom”][vc_empty_space][vc_custom_heading text=”Sarah Lucas’s Self-Portraits by Josefina Ayerza” font_container=”tag:h2|text_align:center|color:%2311004f” google_fonts=”font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal”][vc_single_image image=”490″ img_size=”full” alignment=”center”][vc_custom_heading text=”Sarah Lucas, Human Toilet Revisited” [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-488","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":13,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/488\/revisions"}],"predecessor-version":[{"id":956,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/488\/revisions\/956"}],"wp:attachment":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/media?parent=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}