{"id":800,"date":"2021-06-12T00:29:51","date_gmt":"2021-06-12T00:29:51","guid":{"rendered":"https:\/\/www.lacan.com\/symptom\/?page_id=800"},"modified":"2021-06-14T04:21:53","modified_gmt":"2021-06-14T04:21:53","slug":"fixation-and-repetition-argumen","status":"publish","type":"page","link":"https:\/\/www.lacan.com\/symptom\/fixation-and-repetition-argumen\/","title":{"rendered":"Fixation and Repetition by Alexander Stevens"},"content":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;815&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.lacan.com\/lacan1.htm&#8221;][vc_single_image image=&#8221;440&#8243; img_size=&#8221;full&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.lacan.com\/symptom\/&#8221;][vc_single_image image=&#8221;826&#8243; img_size=&#8221;medium&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221;][vc_custom_heading text=&#8221;Alexander Stevens&#8221; font_container=&#8221;tag:h6|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_custom_heading text=&#8221;FIXATION and REPETITION&#8221; font_container=&#8221;tag:h2|font_size:45|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_custom_heading text=&#8221;argument&#8221; font_container=&#8221;tag:h2|font_size:30|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<h4><span style=\"color: #000000;\">Repetition is one of the four fundamental concepts of psychoanalysis, as set out by Lacan in Seminar XI where, with repetition, he introduced a new mode of the real. To do so, he distinguished it from transference, which the postFreudians had reduced to being merely the repetition of figures from the past.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">As for fixation, it is a Freudian term, which Freud made use of in a rather discreet way and which was never given a significant place in his metapsychology. It was Jacques-Alain Miller, a careful reader of Freud, who gave it a new relevance when he took up the last period of Lacan\u2019s teaching: &#8220;jouissance (&#8230;) is an event of the body. (&#8230;) it is of the order of trauma (&#8230;) it is the object of a fixation\u201d.\u00b9This was not the first time he had drawn upon Freud to propose a way of approaching Lacan\u2019s last teaching. He had already proposed a reading of Inhibition, Symptom and Anxiety in this sense.<sup>2<\/sup><\/span><\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #000000;\"><strong><u>Fixierung<\/u><\/strong><\/span><\/h4>\n<h4><span style=\"color: #000000;\">I referred to the index of the Gesammelte Werke and found that fixation is a term that appeared for just about the first time in Freud\u2019s work, in 1905, in his \u201cThree Essays on Sexuality\u201d. In the development of sexual life, Freud identifies initial disturbing factors \u2013 it being understood that it is disturbed, in varying degrees, for each person. In Freud, these first, constitutional factors are still not very precise. They contain what he calls a \u201cpertinacity\u201d towards the impressions of sexual life. It is this \u201cpertinacity\u201d\u00b3 that he calls a \u201csusceptibility to fixation\u201d.<sup>4 <\/sup>It is in later encounters, made up of \u201cstimulations of infantile sexuality as are experienced accidentally&#8221; that this material \u201ccan become fixed as a permanent disorder\u201d.<sup>5<\/sup><\/span><\/h4>\n<h4><span style=\"color: #000000;\">This is the fixation, the elementary structure of which is already present here: there are first factors, revived by a traumatic contingency that produces a fixation in a symptom whose durable element allows us to infer a repetition. \u201cEvery step on this long path of development [of sexual life] can become a point of fixation\u201d.<sup>6 <\/sup>What will become clearer later is that these first factors always refer to a drive dimension.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">In 1909, in his Five Lectures on Psychoanalysis, in other words his American lectures, he is more precise. Hysterical symptoms are described by him as &#8220;residues and mnemic symbols&#8221; of traumatic experiences and thus testify to a fixation to traumas.<sup>7 <\/sup>This fixation does not only concern the signifiers ofthe trauma, the symbols, but also its charge of excitation, i.e., what he calls drive \u201cresidues\u201d.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">This is even clearer in Lecture XVIII of his Introductory Lectures on Psychoanalysis, which deals precisely with fixation.<sup>8\u00a0<\/sup>This 1917 text is post-war, and the link is made here with traumatic neuroses. As in these, the fixation of the libido always occurs at a traumatic moment, and this is sometimes very early. The drive is stopped, inhibited, and fixed at a certain point in development.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">Finally, in Analysis Terminable and Interminable,1937, Freud says the following about the development of the libido: &#8220;even in normal development the transformation is never complete and residues of earlier libidinal fixations may still be retained in the final configuration\u201d.<sup>9 <\/sup>For Freud, fixation is thus always linked to the repetition of a particular libidinal trait that has been traumatic, in other words, that has involved the irruption of a real. However, he brings the aim of the analytical experience to a halt at the rock of castration, without going beyond it, without aiming at this point of fixation. It is Lacan who will take the analysis beyond this point to the point of stripping it bare in the Pass, and what the Analysts of the School (A.S.) testify to is indeed this One of jouissance which is this fixation that Freud discovered without ever really addressing. We find this term in a several places in his work, but it should be noted that he never gave it much scope.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">Jacques-Alain Miller is the one who connected this fixation with the One of jouissance in the last Lacan, where jouissance is no longer taken up in the dialectic of desire but becomes a purely contingent shock. You will find this development in the fourth and ninth lessons of Being and the One. \u00b9\u00ba\u00a0&#8220;What Freud identified is what we formulate as the conjunction between the One and jouissance, a conjunction that makes the libido not susceptible to transformation, metamorphosis, displacement. What we mean by point of fixation is that there is a One of jouissance that always returns to the same place, and it is on this account that we qualify it as real.\u201d\u00b9\u00b9<\/span><\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #000000;\"><strong><u>Repetition <\/u><\/strong><\/span><\/h4>\n<h4><span style=\"color: #000000;\">Repetition, on the other hand, is a concept that is given an important place in Freud\u2019s work. One of his texts is devoted to it, \u201cRemembering, Repeating and Working Through\u201d.\u00b9\u00b2\u00a0In this text, repetition is linked to transference and constitutes a resistance in the treatment, even aggravating the symptoms. In Freud, the instinctual impulse remains implicit. This is what Lacan reverses, in The Four Fundamental Concepts of Psychoanalysis, when he separates repetition from transference and instead couples repetition with the drive.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">And in Beyond the Pleasure Principle, it is repetition compulsion that, according to Freud, puts us on the trail of the death drive on the basis of the repetition of the traumatic element.\u00b9\u00b3<\/span><\/h4>\n<h4><span style=\"color: #000000;\">However, for Freud, as for Lacan before Seminar XI, repetition is essentially symbolic. The privileged example for this in Lacan\u2019s teaching, is his Seminar on the \u201cPurloined Letter\u201d where it is a syntax that introduces signifying repetition with its automatic character. \u201c[T]his automatism has the value of Freudian memory in the strict sense (\u2026) One could say that at the beginning of his teaching Lacan makes the unconscious only a repetitive sentence that obeys the laws of symbolic determination\u201d.\u00b9<sup>4<\/sup>\u00a0And we can add that this network of alpha, beta, gamma, highlights repetition as the elaboration of a knowledge, S2.\u00b9<sup>5<\/sup><\/span><\/h4>\n<h4><span style=\"color: #000000;\">\u201cThere is something honest in repetition, something well known\u201d.\u00b9<sup>6<\/sup>\u00a0There is no surprise in it. However, in Seminar XI, Lacan brings in a new kind of repetition. With the Aristotelian couple of tuch\u00e9 and automaton, he in fact introduces a new type of repetition. Here, while automaton is the signifying repetition that obeys the symbolic order, tuch\u00e9 is the irruption of a real, a chance encounter, which does not obey the symbolic order. It is the missed encounter, the one that is not inscribed in signifying repetition. It is what gives the object little a its place and thus opens up a new meaning for the real: the irruption of bits of the real, as bits of jouissance.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">The tuch\u00e9 is an \u201cencounter with the real\u201d that \u201celudes us\u201d, it \u201cis beyond the automaton\u201d , the irruption of a first encounter \u201cbehind the fantasy\u201d.\u00b9<sup>7 <\/sup>It is therefore the repetition of a trauma. It is the real that is the principle of this repetition \u201cthat occurs as if by chance\u201d.\u00b9<sup>8<\/sup>\u00a0\u201cHere, already, in this \u2018as if by chance\u2019 , we have the first indication of what, in his very last teaching, Lacan will bring to light as \u2018the real is without law\u2019. It is \u2018the real as unassimilable\u2019.\u201d\u00b9<sup>9<\/sup><\/span><\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #000000;\"><strong><u>The Sinthome<\/u><\/strong><\/span><\/h4>\n<h4><span style=\"color: #000000;\">Lacan will subsequently link repetition ever more closely to the drive, to the point that in Seminar XVII, The Other Side of Psychoanalysis, \u201c[h]e says that repetition is not thinkable, has no value, except on the basis of jouissance\u201d.\u00b2\u00ba And as Miller goes on to clarify: \u201cWhat Lacan calls \u2018knowledge\u2019 in Seminar XVII is the transcription of the Freudian fable of repetition. What he calls knowledge is repetition insofar as it is in relationship with jouissance\u201d. \u00b2\u00b9 Repetition is thus linked to the surplus jouissance that escapes the operation of the signifier.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">But, in Lacan\u2019s last teaching, repetition will find another, even more radical formulation, since it becomes the sinthome itself. There is the One of the signifier all alone, outside the symbolic, which strikes the body and leaves a mark of jouissance there. The sinthome will be the repetition, an iteration, of this mark ofjouissance. This is where we meet up with what Freud designated as fixation. We can say that the sinthome is the repetition of a fixation, it is even the repetition + the fixation.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">This is the sinthome, written with a t-h, which is the last form of repetition and which we must now be able to read. It is no longer a question of discovering the advent of a signification, but ofreading the letter ofthe event of jouissance that is repeated in the event of the body.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">Jacques-Alain Miller has given us the paradigmatic example of this iteration, as a repetition of a new kind, which does not lend itself to interpretation but is articulated to jouissance. I quote from his text \u201cReading a Symptom\u201d: \u201cThis is laid bare in addiction, in the \u2018one more drink\u2019 (\u2026) Addiction is the root of the symptom which is made from the reiteration of the same One. It is the same, in the sense thatit can\u2019t be added up. One never gets to: \u2018I\u2019ve had three drinks, so that\u2019s enough now\u2019. One always downs the same drink, once more. It was in this sense that Lacan said the symptom is an et cetera, the return of the same event.\u201d\u00b2\u00b2<\/span><\/h4>\n<h4><span style=\"color: #000000;\">So, as you can see, the theme of our Congress is also, in a sense, a logical continuation of this one.<\/span><\/h4>\n<h4><span style=\"color: #000000;\">Translated by Philip Dravers<\/span><\/h4>\n<p>&nbsp;<\/p>\n<p><strong>____________________________________________________________________________<\/strong><\/p>\n<p>1 Jacques-Alain Miller, L\u2019\u00eatre et l\u2019Un, lesson 4 (9 February 2011).<\/p>\n<p>2 Jacques-Alain Miller, Le Partenaire sympt\u00f4me, lesson of the 3rd and 10th of December 1997.<\/p>\n<p>3 Freud, S. Three Essays on the Theory of Sexuality, SE VII, p. 242. \u2018Pertinacity\u2019 in the English and adh\u00e9rence in the French, translate the German, Haftbarkeit, G.W. V, p. 144.<\/p>\n<p>4 Ibid.<\/p>\n<p>5 Ibid.<\/p>\n<p>6 Ibid. p. 235.<\/p>\n<p>7 SE XI, p. 16.<\/p>\n<p>8 Freud, S., \u201cLecture XVIII: Fixation to Traumas\u2014the Unconscious\u201d, SE XVI, p. 273-285.<\/p>\n<p>9 Freud, S., \u201cAnalysis Terminable and Interminable\u201d, SE XXIII, p. 229.<\/p>\n<p>10 Miller, J.-A., L\u2019\u00catre et l\u2019Un, lesson 4 of 9th February 2011 and lesson 9 of 30th March 2011 (unpublished).<\/p>\n<p>11 Miller, J.-A., L\u2019\u00catre et l\u2019Un, lesson 9 of the 30th March 2011 (unpublished).<\/p>\n<p>12 Freud, S., \u201cRemembering, Repeating and Working Through\u201d, SE XII, pp.145-156.<\/p>\n<p>13 Freud, S., \u201cBeyond the Pleasure Principle\u201d, SE XVIII, p.1-64.<\/p>\n<p>14 Miller, J.-A., \u201cTransference, Repetition and the Sexual Real\u201d, Psychoanalytical Notebooks 22 (2011), p. 11-12. Cf. NLS Messager 14: <a href=\"http:\/\/ampblog2006.blogspot.com\/2011\/01\/14-20102011-en-towards-london-1-vers.html\">http:\/\/ampblog2006.blogspot.com\/2011\/01\/14-20102011-en-towards-london-1-vers.html<\/a><\/p>\n<p>15 Miller, J.-A., \u201cLe Partenaire Sympt\u00f4me\u201d, lesson of 6th May 1998 (unpublished).<\/p>\n<p>16 Miller, J.-A., \u201cLa fuite du sens\u201d lesson of 20th March 1996 (unpublished).<\/p>\n<p>17 Lacan, J., The Four Fundamental Concepts of Psychoanalysis (London, Penguin, 1977), p. 53-54.<\/p>\n<p>18 Ibid. p. 54.<\/p>\n<p>19 Miller, J.-A. L\u2019\u00catre et l\u2019Un, lesson of 15. 3. 1995, Quarto 121 (2019) p. 17<\/p>\n<p>20 Miller, J.-A. \u201cTransference, Repetition and the Sexual Real\u201d op. cit. p. 17 (or online, see previous).<\/p>\n<p>21 Ibid.<\/p>\n<p>22 Miller, J.-A., \u201cReading a Symptom\u201d, Hurly-Burly 6 (2011), p. 152[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;815&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.lacan.com\/lacan1.htm&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;815&#8243; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.lacan.com\/lacan1.htm&#8221;][vc_single_image image=&#8221;440&#8243; img_size=&#8221;full&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.lacan.com\/symptom\/&#8221;][vc_single_image image=&#8221;826&#8243; img_size=&#8221;medium&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221;][vc_custom_heading text=&#8221;Alexander Stevens&#8221; font_container=&#8221;tag:h6|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_custom_heading text=&#8221;FIXATION and REPETITION&#8221; font_container=&#8221;tag:h2|font_size:45|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_custom_heading text=&#8221;argument&#8221; font_container=&#8221;tag:h2|font_size:30|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Forum%3Aregular|font_style:400%20regular%3A400%3Anormal&#8221;][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-800","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/comments?post=800"}],"version-history":[{"count":42,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/800\/revisions"}],"predecessor-version":[{"id":885,"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/pages\/800\/revisions\/885"}],"wp:attachment":[{"href":"https:\/\/www.lacan.com\/symptom\/wp-json\/wp\/v2\/media?parent=800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}