Video clip: Alice in Wonderland, 1993, directed by Norman Z. McLeod
Be very careful here. We really mustn’t move too fast.”
Video clip: Alice in Wonderland, 1993, directed by Norman Z. McLeod
Be very careful here. We really mustn’t move too fast.”
And everything she wrote to him, she says, was truly, I quote her, a web of lies. Stitch by stitch, I created a character, what I wanted to be in his eyes, which I in no way was. I’m afraid it was a purely fictional enterprise, which I pursued most doggedly, enveloping myself she says, in a kind of cocoon. She adds, very gently – You know, he had a tough time getting over it. — Sem. X, Chp. XV
Continue reading Sem. X, Chp. XIV: Woman, Truer and More Real
by Cathy Lebowitz
Originally published in lacanian ink 38.
[…] Smithson maps the mind onto the earth by setting words in poetic relation: glacial reveries, mental rivers, cliffs of thought undermined by brain waves. Like the earth, the mind is in a constant state of erosion. In his essay “A Sedimentation of the Mind,” his comparisons and conflations repeatedly draw attention to a surface invaded by crevices. It becomes an ideology. “Words and rocks contain a language that follows a syntax of splits and ruptures.” Like Lacan’s unconscious, Smithson’s words and rocks are structured like a language[…]
Continue reading Eating Alone in the Byways of Smithson [excerpt]
by Rapunzel
Lacan was speaking of the difference between fear and anxiety—fear doesn’t have an object, anxiety is not without one. Even if we cannot locate the object, anxiety is not without it. Fear, it’s the fact that there is no object cause of the fright. The object that Anxiety is not without is an object cause—cause of the desire. Again, the particular object precedes anxiety.
Continue reading JLW: OCTOBER 20, 2015 — APHORISMS ON LOVE