Destruction of the Sexual Thing
HERMAN RAPAPORT
"What is a Picture?" Times Two
JAN AVGIKOS
Saturday Night Fever, or "What is a Picture?"
CATHERINE LIU
Étant Donnés: Le Gaz(e) d'Éclairage
ADRIAN DANNATT
The Rustle of Painting
BARRY SCHWABSKY
The Amateur Genius and the Dog
RICHARD FOREMAN
The Newly Renovated Opera House on Gilligan's Island
JOHN YAU
Watching Things Work
BARBARA HENNING
"What is a Picture?"
PEGGY PHELAN
A Cameo
RAPHAEL RUBINSTEIN
A wild throw of jungle flowers Contrary to female correct distance on a lawn in Westchester A work of art, ratted & sprayed Nonetheless, with Daddy's hand Our field of vision restricted Museums adhere to fairly Fragile & delicate realities- The tree cocks its head. His, proud & available Our sexual activity sworn into secrecy. in an A & S catalog yesterday Just like Robert along the jagged path of desire. as a parody of my baby monkey You'll be sorry, asked I order inverted, these mad women An insurance agent, an awkward elf to speak gibberish, dimming two fabric roses I wish to see. as the tissue Her left breast her index finger forward of a clock The un/predictable In the bathroom. In the making On the edge of the bed in intercourse. Our living room A housedress Rarely healing of their own accord Does it work, I wonder This book of photos marked $15 on the cover, twelve on the inside
Against a mottled background
One eyelid drifting
Deep in thought
After prolonged exposure
(the sole means of earning a living)
monsters of style recline-
Over the smooth & poisonous river
The floodlights of survival
I solemnly swear not to reveal
his identity. Don't you mine
with an eight by ten format
rigid definitions-
Everyone wants to leave a record.
Hands prayerlike in front of her genitals.
With great effort leaning toward annihilation
Those with erections are expelled.
Matching bathingsuits
The same style advertised
slightly more skin today.
he wears a pair of glasses
Doomed to address the world
drawn in Maybelline black
forever with a beauty mark
the cemetery in each face
Chemotheraphy
disrupts
our roast beef dinner
wife, the tail
end of a chevy.
child, ready
to break into dance
ready to be sucked
back into the gradual
of the disembodied
third person
What I look at
is never what
Skin as transparent
of my negligee.
propped upon
Unmemory leans
in the shape
at twelve forty-three
Tiny little woman in a teacup.
Under a Babushka
Who is woman? Who is man?
Daver Liquor bottle,
the brim between twelve & two
She's a MAN. In the act
To know & to see
of disrobing
or engaging
A woman towers over her lover
Or lets a sword rest in her throat
To master with
accumulation of detail
crowded and worn
bent over the flowers between
clearly outside the norm
the common ground cluttered so
with the terrible hidden ordinary despair
And Gani gives it to me for only ten
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