[...]

The sinthome in its knotting of the corporal image determines something that is enigmatic, namely, that when it happens, the subject works with it.

It is something that comes from the real thing, but as a shovel, sickle or hammer, a singular tool for each one, which put to work sustains the corporal image, without a master.

Shen Xin, Provocation of the Nightingale, 2017-2018
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